Sex, Power and the Folly of Marriage in Women’s Novels of the 1920s

The Americans experienced great social change in the decade following World War I. They were restless, often discontented, searching for the good life—the one promised to the generation who, cheered on by patriotic slogans and propaganda, enlisted to fight on European battlefields.
While young writers such as Hemingway and Fitzgerald romanticized the lives of Americans in postwar Europe and the U.S., a number of women authors in the 1920s looked through a darker lens. The novels of Edith Wharton, Willa Cather, Margaret Wilson, Edna Ferber, Ellen Glasgow, Dorothy Scarborough and Dawn Powell—set mainly in the 19th century—searched the past for the origins of postwar upheaval, especially with respect to the status of women.
Today, a few iconic male novelists of the 1920s are synonymous with the spirit and culture of the Jazz Age. This book focuses on their female contemporaries—largely neglected by both critics and readers—who remain relevant for their exploration of timeless social and psychological themes, the battle of the sexes and its tragic consequences.

Judy Cornes is a retired English professor from Odessa College in Texas. She lives in Kansas City, Missouri.

Judy Cornes
Format: softcover (6 x 9)
Pages: 248
Bibliographic Info: notes, bibliography, index
Copyright Date: 2015
pISBN: 978-0-7864-9731-7
eISBN: 978-1-4766-2321-4
Imprint: McFarland

Preface   1
Introduction   9
One. Edith Wharton’s ­Not-So-Innocent Age   27
Two. Revenge Accomplished by One of Ours   60
Three. The Luck of the Able McLaughlins   90
Four. A World in Transition Grown So Big   112
Five. Ellen Glasgow: Finished with All That   146
Six. Driven to Murder in the West Texas Wind   176
Seven. A River of Poison Floods the Bride’s House   203
Chapter Notes   225
Bibliography   233
Index   235