The Way of Inuit Art

Aesthetics and History in and Beyond the Arctic

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About the Book

Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non–Inuit artists and scholars.
Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art.
Part Two demonstrates the influence of such popular theories as nationalism, primitivism, modernism, and postmodernism on the aesthetics and representation of twentieth-century Canadian Inuit art. This discussion is supported by interviews conducted with Inuit artists. A final chapter shows the presence of Inuit art in the mainstream multi-cultural environment, with a discussion of its influence on Canadian artist Nicola Wojewoda. The work also presents various Inuit artists’ reactions to Wojewoda’s work.

About the Author(s)

Emily E. Auger (Ph.D.) has graduate degrees in History in Art and English Literature from the University of Victoria and has taught art history in Canadian and American universities for over twenty years. Her monographs include The Way of Inuit Art: Aesthetics in and Beyond the Arctic (2005) and Tarot and Other Mediation Decks: History, Theory, Aesthetics (2004). She is a contributor to the anthology King Arthur in Popular Culture (2002) and has published papers on interlace and Alan Lee’s Lord of the Rings’ illustrations, genre and Pre-Raphaelitism in Lady Audley’s Secret, and other subjects.

Bibliographic Details

Emily E. Auger
Format: softcover (7 x 10)
Pages: 304
Bibliographic Info: 184 photos, maps, notes, bibliography, index
Copyright Date: 2011 [2005]
pISBN: 978-0-7864-6412-8
Imprint: McFarland

Table of Contents

Acknowledgments      v

Preface      1

Introduction      3

PART I

1. Arctic Traditions

The Traditional Way of Life      13

“Primitive” Patterns I (Primitive and Paleolithic)      15

The Arctic Small Tool Tradition (ASTt)      22

Post-Arctic Small Tool Tradition in Alaska      24

2. Shamanistic Traditions

Shamanism      40

The Supernatural Basis of Shamanistic Power      43

The Shaman’s Initiation      57

“Primitive” Patterns II (Shamanism and Art)      63

3. Dorset and Thule Traditions in Canada

“Primitive” Patterns III (Style and Culture)      67

The Dorset      71

The Thule      97

PART II

4. Historic Inuit Art

New Traditions of Inuit Carving      101

New Traditions of Inuit Printmaking      119

Market and Educational Expansions      125

5. Western Aesthetics and Inuit Art

The Western Categorical Context      129

“Primitive” Patterns IV (“Low” Art)      132

Inuit Art in the Modernist Context      137

Inuit Art in the Postmodernist Context      142

“Primitive” Patterns V (Primitivist Art)      147

6. Interviews with Inuit Artists

The Interviews      157

Female Inuit Carvers from Arviat (Eskimo Point) and Kangiqsliniq (Rankin Inlet)      157

Male Inuit Carvers from Arviat, Kangiqsliniq and Qamani’tuaq (Baker Lake)      165

Female and Male Inuit Printmakers from Qamani’tuaq      186

7. Art by Nicola Wojewoda and Inuit Artists’ Responses to It

Nicola Wojewoda      204

Drawings and Paintings      206

Alternative Media      217

Sculpture      225

Conclusion      240

Notes      243

Bibliography      266

Index      289

Book Reviews & Awards

“comprehensive, well-written…a welcome addition to any collection…highly recommended”—Choice; “Emily Auger…does a great service…extensively researched volume…copious endnotes”—Catholic Library World.