Woody Allen and Charlie Chaplin

Little Men, Big Auteurs


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About the Book

The comic archetype of the Little Man—a “nobody” who stands up to unfairness—is central to the films of Woody Allen and Charlie Chaplin. Portraying the alienation of life in an indifferent world with a mix of pathos, irony and slapstick, both adopted absurdist personas—Chaplin’s bumbling yet clever Tramp with his shabby clothes, and Allen’s fool with his metaphysical witticisms and proclivity to fall in love too quickly.
Both men were auteurs who managed to retain creative control of their work and achieve worldwide popularity. Both suffered from scandals regarding their attraction to younger women. Drawing on psychoanalysis and gender studies, this book explores their films as barometers of their respective historical moments, marking cultural shifts from modernism to postmodernism.

About the Author(s)

Jill Franks is a film studies and English literature professor at Austin Peay State University in Clarksville, Tennessee.

Bibliographic Details

Jill Franks
Format: softcover (6 x 9)
Pages: 203
Bibliographic Info: 20 photos, appendix, notes, bibliography, index
Copyright Date: 2019
pISBN: 978-1-4766-7792-7
eISBN: 978-1-4766-3619-1
Imprint: McFarland

Table of Contents

Preface 1
Introduction: Little Men as Tramp and Schlemiel 7
1. Modern and Postmodern Circuses in The Circus and Shadows and Fog 29
2. Technology and Alienation in Modern Times and Sleeper 51
3. Master/Slave Dialectic in The Great Dictator and Zelig 78
4. Getting Away with Murder in Monsieur Verdoux and Crimes and Misdemeanors 99
5. What Is Love in Limelight and Manhattan? 124
6. Nobility and Ambiguity in Modern and Postmodern Endings 149
Appendix: Sex Scandals and the Role of the Critic 161
Chapter Notes 171
Bibliography 185
Index 191

Book Reviews & Awards

“[A] tidy and richly textured comparison of two great little men, Woody Allen and Charlie Chaplin…highly recommended”—Choice