Women Performing Music
The Emergence of American Women as Classical Instrumentalists and Conductors
About the Book
This book explores the experiences of women from the late nineteenth and early twentieth centuries who pursued careers as public performers, charting a new course in an era when women’s musical activities were generally consigned to the parlor. Certain instruments had historically evolved as “appropriate for women,” and the flamboyant personalities and extroverted emotionalism of Romantic virtuosos and conductors were the antithesis of those qualities traditionally admired in women. However, this work presents an unusual group of young women who nonetheless became noted virtuosos, studying abroad as teenagers and touring North America upon their return. Detailed profiles are given of three remarkable musicians from among that unusual group: Fannie Bloomfield-Zeisler (1863–1927)—virtuoso pianist, wife and mother; Ethel Leginska (1886–1970)—pianist, conductor, and 1920s “new woman”; and Antonia Brico (1902–1989)—conductor and transitional figure to the late twentieth century. A concluding chapter contrasts the experiences of women classical musicians in the late nineteenth and the late twentieth centuries. Included are a number of photographs and drawings which impart the perceptions of audiences and critics of the stage presence of these performers.
About the Author(s)
Beth Abelson Macleod
Format: softcover (6 x 9)
Bibliographic Info: photos, notes, bibliography, index
Copyright Date: 2001
Book Reviews & Awards
“wonderful…a must-have”—Public Library Quarterly; “useful and readable…assembles some of the most substantial biographies of these musicians currently available. Historical photographs and cartoons from periodicals and newspapers enliven the book…extensive endnotes and bibliography”—Choice; “fascinating little-known materials”—University of Illinois Press; “well-researched…a welcome addition”—Journal of Social History.