With films like Les Amants and Le Souffle au cœur, Atlantic City and Au Revoir les enfants, French writer-director Louis Malle compiled a remarkable 40-year career, creating thirty acclaimed features and documentaries. Despite this success, Malle’s work has not received the critical attention it is due—largely because for nearly thirty years, several of his films remained unavailable to the public.
This is the first book-length critical study of Malle’s entire oeuvre, covering The Silent World (1956) through Vanya on 42nd Street (1994). Here, Malle’s work is approached non-theoretically on a film-by-film basis; each motion picture is examined as an individualistic, self-referential exploration of its own subjects and themes, with form and style relative to content. The darker, more provocative side of Malle’s films is also explored, and the director’s need to challenge his audiences ethically is addressed. Film analyses are supplemented by interviews with those who have worked with Malle.
A bibliography of major American, French and British books and articles on Malle is included, as is a Malle filmography, including cast and crew information, running times, years of release, production company data and a list of awards and award nominations for each film.

A former film and television story editor and Boston University graduate, Nathan C. Southern now freelances as a writer. He lives in Chicago, Illinois.
Jacques Weissgerber lives in Brookline, Massachusetts.
Heather McBrier lives in Erie, Pennsylvania.

Nathan C. Southern with Jacques Weissgerber
Foreword by Jean-Claude Carrière
Format: softcover (7 x 10)
Pages: 422
Bibliographic Info: 23 photos, appendices, notes, filmography, bibliography, index
Copyright Date: 2011 [2006]
pISBN: 978-0-7864-6440-1
Imprint: McFarland

Foreword: Louis Malle, the Elusive One by Jean-Claude Carrière      1
Preface      3
Introduction: Louis Malle—Mainstream Iconoclast      7
1. Le Monde du silence (The Silent World)—1956
Plunging Through the Fourth Wall      21
2. Ascenseur pour l’échafaud (Elevator to the Gallows)—1957
The Illusions of a Romantic      32
3. Les Amants (The Lovers)—1958
Restoration of the Sacred      47
4. Zazie dans le métro (Zazie)—1960
The World as Carnival      60
5. Vie privée (A Very Private Affair)—1961
The Myth of Emptiness      71
6. Le Feu follet (The Fire Within)—1963
Falling into the Gray Void      79
7. Viva Maria—1965
Only a Paper Moon      90
8. Le Voleur (The Thief of Paris)—1967
Deflected Emotion and the Art of Memory      101
9. Calcutta and Phantom India (L’Inde fantôme)—1968-1969
The Universe Through a Looking Glass      112
10. Le Sou·e au coeur (Murmur of the Heart)—1971
East Meets West      133
11. Humain, trop humain and Place de la République—1972
(released 1974)
On the Road Again      143
12. Lacombe, Lucien—1974
The Politics of Detachment      149
13. Black Moon—1975
Timeless, Placeless, Senseless      160
14. Pretty Baby (La Petite)—1978
A Tainted World Through Innocent Eyes      172
15. Atlantic City—1980
Dreams and Visions of Self      185
16. My Dinner with André—1981
Notes on Generativity      201
17. Crackers—1984
More Than He Needed or Wanted      220
18. Alamo Bay—1985
The Weight of the Unfamiliar      233
19. God’s Country (Le Pays de dieu)—1985 / And the Pursuit of Happiness (La Poursuite du bonheur)—1986
The Well-Rooted and the Transient      247
20. Au revoir les enfants (Goodbye, Children)—1987
Revisiting Old Haunts      257
21. Milou en mai (May Fools)—1990
Collective Mythmaking      273
22. Damage (Fatale)—1992
Double Standards      292
23. Vanya on 42nd Street—1994
The Process of Becoming      315
24. Vive le tour (Twist encore)—1962 / Bons Baisers de Bangkok (Love and Kisses from Bangkok)—1964 / “William Wilson” (From Histoires extraordinaires)—1969 Brief Encounters: Three Malle Shorts      329

Appendix A: Lost Horizons-Selected Unfinished Malle Projects, 1949–1994
by Stéphanie Grégoire      341
Appendix B: Filmography      349
Notes      357
Select Bibliography      383
Index      397