The Cinema of Tod Browning

As a director, actor, writer and producer, Tod Browning was one of the most dynamic Hollywood figures during the birth of commercial cinema. Known for his fantastic collaborations with Lon Chaney in numerous silents, and for directing the horror classic Dracula and the still-controversial Freaks, Browning has been called “the Edgar Allan Poe of the cinema.” Despite not entering the profession until he began acting in his early thirties, he went on to helm more than 60 films in a 25-year career. His work continues to influence directors such as David Lynch, John Waters, and Alejandro Jodorowsky.
These essays critically explore such topics as the connection between Browning, Poe and Kant; Browning’s cinematic techniques; disability; masochism; sound and suspense; duality; parenthood; narrative and cinematic trickery; George Melford; surrealism; and the occult. A Browning filmography is included.

Bernd Herzogenrath is a professor of American literature and culture and teaches at the University of Hannover and the University of Cologne, Germany.

Edited by Bernd Herzogenrath
Format: softcover (6 x 9)
Pages: 249
Bibliographic Info: filmography, notes, bibliographies, index
Copyright Date: 2008
pISBN: 978-0-7864-3447-3
eISBN: 978-1-4766-0860-0
Imprint: McFarland

Introduction: Browning = Poe + Kant + … = Cinema
BERND HERZOGENRATH      1
Undoing Make-Believe: The Magic of Cinema in Tod Browning’s Films
EKKEHARD KNÖRER      19
In Love with a Nightmare: Disability Imagery and Fascination in The Unknown
HIONI KARAMANOS      33
Cinematic Torture Machines: Tod Browning and Masochism
LARS NOWAK      50
Shaking an Elephant: Sound, Space and Suspense in The Unholy Three
MICHAEL LAWRENCE      70
The Black Bird: Mocking Duality
F. GWYNPLAINE MACINTYRE      84
Seeing Through Seeing Through: The Trompe l’Oeil Effect and Bodily Difference in the Cinema of Tod Browning
HUGH S. MANON      96
The Big City: All of Browning’s Universe in One Film
F. GWYNPLAINE MACINTYRE      116
Lost in Proto-Performance: West of Zanzibar and the Last Stand of the Primal Father
BJÖRN QUIRING      132
You’re Better Off Without Your Parents: Where East Is East Seen Through a Daughter’s Eyes
SARAH DELLMANN      139
Tod Browning vs. George Melford: Dracula’s Doppelgänger
FRANK LAFOND      151
Browning. Freak. Woman. Stain.
EUGENIE BRINKEMA      158
Mark of the Vampire: Seeing Is Believing
REYNOLD HUMPHRIES      174
An Incident in the History of Surrealism: On a Sequence in The Devil-Doll
ADRIAN MARTIN      198
Miracles for Sale and Other Films of Detection and the Occult
MARCEL ARBEIT      214

Filmography      231
About the Contributors      235
Index      239

Winner, Rondo Hatton Award
“remarkable”—National Board of Review.