The Atomic Bomb in Japanese Cinema

Critical Essays


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About the Book

Seventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata’s NN-891102 (1999), atomic bomb imagery features in all genres of Japanese film.
This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included.

About the Author(s)

Matthew Edwards is a primary school teacher and freelance writer from Cirencester, England. He is the author or editor of numerous books on world cinema.

Bibliographic Details

Edited by Matthew Edwards
Format: softcover (7 x 10)
Pages: 300
Bibliographic Info: appendix, notes, bibliographies, index
Copyright Date: 2015
pISBN: 978-0-7864-7912-2
eISBN: 978-1-4766-2020-6
Imprint: McFarland

Table of Contents

Table of Contents

Acknowledgments vi

Preface • Matthew Edwards 1

Introduction • Matthew Edwards 5

Prologue: Hiroshima/Nagasaki • Matthew Edwards 11

Part I: Gojira and the Bomb

The Rhetorical Significance of Gojira: Equipment for Living Through Trauma • Shannon Stevens 17

Japan Removed: Godzilla Adaptations and Erasure of the Politics of Nuclear Experience • Jason C. Jones 34

Atomic Reaction: Godzilla as Metaphor for Generational Attitudes toward the United States and the Bomb • John Vohlidka 56

Part II: Japanese Atomic Cinema, 1945–2014

Suppression and Censorship: Japanese Cinema During the Occupation • Matthew Edwards 69

Pica-don: Japanese and American Reception and Promotion of Hideo Sekigawa’s Hiroshima • Mick Broderick and Junko Hatori 77

The Shadow of the Bomb in Hiroshi Teshigahara’s The Face of Another • Tony Pritchard 88

Nuclear Skin: Hiroshima and the Critique of Embodiment in Affairs Within Walls • Julia Alekseyeva 99

The Atomic Bomb Experience and the Japanese Family in Keiji Nakazawa’s Anime Hadashi no Gen (Barefoot Gen) • Kenji Kaneko 111

Yuichi and Jizō in Black Rain: Imamura’s Phenomenological Attempt to Render a Hiroshima Wormhole Experience Among His Audience • Keiko Takioto Miller 124

Trauma and Witness in Hideo Nakata’s Ring • Tienfong Ho 140

The Fragile Roots of Memory • Robert McParland 150

Inconceivable Anxiety: Representation, Disease and Discrimination in ­Atomic-Bomb Films • Yuki Miyamoto 157

Kazuo Kuroki and Hisashi Inoue’s Chichi to kuraseba: Remember, Protest and Return to Ordinary Life • Yoshiko Fukushima 171

Breaking the Silence of the Atomic Bomb Survivors in the Japanese Graphic Novel Town of Evening Calm, Country of Cherry Blossoms and the Film Adaptation • Senjo Nakai 184

The Sound of the Bomb: Gō Shibata’s NN-891102  • Johannes Schönherr 200

Part III: Western Perspectives

Hiroshima Films: Cultural Contexts Before, During and After the Cold War • Greg Nielsen and Margaret M. Ferrara 211

Hiroshima: An Interview with Director Roger Spottiswoode • Matthew Edwards 228

White Light/Black Rain: The “Atomic Films” of Steven Okazaki • Matthew Edwards 240

A[nime] Bomb: An Interview with Hibakusha Director Steve Nguyen • Matthew Edwards 246

Hibakusha: Our Life to Live: An Interview with Director David Rothauser • Matthew Edwards 254

All That Remains: An Interview with Ian and Dominic Higgins • Matthew Edwards 267

Appendix: Japanese Titles of Films Referenced in Text 281

About the Contributors 283

Index 285

Book Reviews & Awards

“A valuable contribution”—Steve Okazaki, Emmy award winning director; “A fascinating and enlightening read”— Ian and Dominic Higgins, film directors; “So incredibly honored to be a part of this wonderful collection of essays that explore the extensive collection of stories about the atomic bomb in popular cinema.”—Steve Nguyen, film director; “A work of immense scholarship and devoted passion”—David Rothauser, director.