From the Roman Praetorian Guard to the English shire-reeve to the U.S. marshals, lawmen have a long and varied history. At first, such groups were often corrupt, guilty of advancing a political agenda rather than protecting citizens. It was about the turn of the twentieth century that police officers as we know them came into being. At this time, a number of police reforms such as civil service and police unions were developed. Citizen committees were formed to oversee police function. About this same time, the technology of motion pictures was being advanced. Movies evolved from silent films with a limited budget and short running time to films with sound whose budget was ever rising and whose audience demanded longer, more complex story lines. From the infancy of moviemaking, lawmen of various types were popular subjects. Bounty hunters, sheriffs, private eyes, detectives and street officers—often portrayed by some of Hollywood’s biggest names—have been depicted in every conceivable way.
Compiled from a comprehensive examination of the material in question, this volume provides a critical-historical analysis of law enforcement in American cinema. From High Noon to The Empire Strikes Back, it examines the police in their many incarnations with emphasis on the ways in which lawmen are portrayed and how this portrayal changes over time. Each film discussed reveals something about society, subtly commenting on social conditions, racial issues and government interventions. Major historical events such as the Great Depression, World War II and the McCarthy trials find their way into many of these films. Significant film genres from science fiction to spaghetti western are represented. Films examined include Easy Street (1917), a nominal comedy starring Charlie Chaplin; Star Packer, a 1934 John Wayne film; The Maltese Falcon (1941) with Humphrey Bogart; Dirty Harry, a 1971 Clint Eastwood classic; Leslie Nielsen’s spoof Naked Gun (1988); and 1993’s Tombstone featuring Kurt Russell. The filmography contains a synopsis along with information on director, screenplay, starring actors and year of production. Photographs and an index are also included.

The late M. Ray Lott was a law enforcement officer for more than 20 years. He held degrees in film, electronic media, and mass communication. He lived in Southern California.

M. Ray Lott
Format: softcover (7 x 10)
Pages: 222
Bibliographic Info: 71 photos, filmography, notes, bibliographies, index
Copyright Date: 2006
pISBN: 978-0-7864-2577-8
eISBN: 978-1-4766-0940-9
Imprint: McFarland

Preface      1

I. Law Enforcement in Cinema      3

II. Easy Streets      10

III. The New Deal Hero      26

IV. Cold Warriors      34

V. Sci-Fi Cops      42

VI. The Professional      63

VII. Wanted: Dead or Alive      72

VIII. Film Noir, Feminism and Private Heat      97

IX. Workin’ for the Railroad      111

X. Vigilantes with a Badge      119

XI. Bad Apples      129

XII. Keystone      141

XIII. The O.K. Corral      150

XIV. Gunsmoke      161

XV. One Riot—One Ranger!      174

XVI. Walkin’ the Beat … Cruising the Street…      187

XVII. End of the Trail      194

Filmography      203

Sources      211

Index      213

• “Comprehensive…extremely readable”—Reviewing The Evidence