This is the first academic volume to examine the librarian and archival professional through the lens of sequential art. The portrayal of libraries/librarians in sequential art has a long history from the Golden Age to the present day. Libraries and archives in comics historically are seen as places of important knowledge and information.
This volume takes a deep dive into a multitude of source material to show how librarians/archivists and libraries/archives are used within the comic medium to address multiculturalism, LGBTQ issues, archival practice, and even the concept of librarians as “baddies” or stewards of information unwilling to share with others. The wide breadth of material examined here includes Miyazaki’s Nausicaa, Speigleman’s Maus, Bechdel’s Queer Dykes to Watch Out For, Marvel’s Black Panther, Nono’s Yoake No Toshokan, DC’s Batgirl, Buffy the Vampire Slayer comics, Gaiman’s The Sandman, webcomics, Marvel’s America Chavez character, Schultz’s Xenozoic Tales and much more.

Carrye Kay Syma is an associate dean and librarian at Texas Tech University. Her research interests include graphic novels and sequential art in education, and women and self-harm. She has been published in Reference Services Review and College and Research Libraries News
Robert G. Weiner is the popular culture librarian at Texas Tech University. His work has been published in the Journal of Popular Culture, Public Library Quarterly, Journal of American Culture, International Journal of Comic Art and Popular Music and Society, and is the author/editor/coeditor of numerous books related to popular culture.
Donell Callender has been an academic faculty librarian for 21 years and is currently head of research, instruction & outreach at the Texas Tech University Libraries. Her research interests include student success and retention, and information literacy instruction.

Edited by Carrye Kay Syma, Robert G. Weiner and Donell Callender
Format: softcover (7 x 10)
Pages:
Bibliographic Info: ca. 10 photos, notes, bibliography, index
Copyright Date: 2024
pISBN: 978-1-4766-9201-2
eISBN: 978-1-4766-5282-5
Imprint: McFarland

Acknowledgments vi
Foreword: Is This Heaven? by Clare Milliner 1
Preface 5
Introduction 9
Part I. My Story 13
1. The Early Years 14
2. The Artist’s Choice 26
3. College, Career and Crash 30
4. Life Interruptus: My Hero’s Journey 43
Part II. Talking ­Old-Time Community 65
Instrument Builders 69
5. Bart Reiter 70
6. Patrick “Doc” Huff 77
7. Pete Ross 84
8. Zachary Hoyt 90
9. Bill Rickard 98
10. William Seeders Mosheim 103
Performers and Teachers 109
11. Rayna Gellert 110
12. David Holt 119
13. James “Sparky” Rucker 129
14. Clare Milliner 140
15. Mac Benford 147
16. Sheila Kay Adams 154
17. Paul Brown 163
18. John McCutcheon 172
Historians and Authors 181
19. Dwight Diller 182
20. Bill Malone 188
21. Dom Flemons 198
22. Tim Brooks 209
Part III. In the Company of Music 227
23. Clifftop 228
24. Why Play ­Old-Time Music? 250
25. How Music Works Magic: A Conversation with Josh Turknett 259
Epilogue: An Invitation to Join the Fun 273
Bibliography 275
Index 277