BACK ISSUE
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Margaret Kinsman, consulting editor of Clues and 2016 Raven Award recipient, is a visiting research fellow in popular culture at London South Bank University, United Kingdom. She has published numerous articles related to crime fiction and has presented papers and chaired panels at international conferences.
Series Editor Elizabeth Foxwell, an Agatha Award winner, is managing editor of Clues: A Journal of Detection.

Executive Editor Margaret Kinsman
Managing Editor Elizabeth Foxwell
Format: softcover (7 x 10), back issue
Pages: 126
Bibliographic Info:
Copyright Date: 2009
ISSN 0742-4248
Imprint: McFarland

Theme Issue : The Girl Sleuth

Guest Editor: Leona W. Fisher
Introduction
LEONA W. FISHER      5

The Accidental Sleuth: Investigating Mysteries and Class in Three Series for Girls
RAMONA CAPONEGRO      11
Although their publication dates span more than a century, three popular series
in which wealthy female protagonists accidentally become sleuths feature
representations of social classes, social reform, and charity that remain elitist,
stagnant, and often self-serving: the Witch Winnie series (1889–98), the Aunt
Jane’s Nieces series (1906–18), and the Samantha mysteries (2005–06).

“Use Your Head, Judy Girl”: Relationships, Writing, and an Ethic of Care
in the Judy Bolton Mysteries
MARY JEANETTE MORAN      22
In the Judy Bolton mystery series, relationships primarily serve as a source of
strength but still evoke a threat to women’s selfhood. Judy escapes this threat by
enacting a feminist ethic of care that uses the writing process to simultaneously
meet her own needs and the needs of others.

Configuring Identity and Flights of Fancy in the Vicki Barr, Flight
Stewardess Series
MICHAEL G. CORNELIUS      33
Identity in the Vicki Barr books is based on the three roles Vicki adopts in the
series: as girl, as stewardess, and as detective. An advancement of Lacan’s split-subject
theory demonstrates that when one aspect of Vicki’s trifigured identity
wavers, her entire subjectivity collapses.

Trixie Belden, Edgar Allan Poe, and the Secret of the Secret in Girl-Sleuth
Literature
STEVEN J. ZANI      49
The poststructuralist nature of “mystery” in the Trixie Belden series of girl-sleuth
novels is traced, with particular focus on The Black Jacket Mystery. Poe’s short
story “The Purloined Letter” and its criticism are touchstones for understanding
how girl-sleuth literature in general, and the Trixie Belden series in particular,
function for readers.

The Legacy of George and Bess: Sidekicks as Normalizing Agents for
the Girl Sleuth
JULIE D. O’REILLY      61
Sidekicks normalize their otherwise atypical protagonists, centering these girl
sleuths in a position of acceptable femininity. When compared to sidekicks, the
girl sleuth appears “normal”—a convention beginning with Carolyn Keene’s
Nancy Drew and companions George and Bess and continuing with Janet
Evanovich’s Stephanie Plum and cohorts Grandma Mazur and Lula.

“You Get Tough. You Get Even”: Rape, Anger, Cynicism, and the Vigilante
Girl Detective in Veronica Mars
ALAINE MARTAUS      74
Drawing from traditions of the teen girl sleuth, the detective of film noir, and
contemporary novels of the empowered female detective, the television series
Veronica Mars uses rape as a central theme to create a new kind of girl
detective—a cynical, wisecracking adolescent heroine.

ESSAY
Race, Identity, and Genre in Sujata Massey’s Rei Shimura Series
JENNIFER P. NESBITT      87
In Sujata Massey’s Rei Shimura series, the heroine performs her internalization
of essentialist notions of race even though the series is explicitly antiracist and
anti–Orientalist. Massey’s first and seventh novels bookend the series’ struggle
with this paradox, and subsequent volumes illustrate the conflict its resolution
creates with the demands of the genre-fiction market.

REVIEW ESSAY
“The Unknown—with a capital U!” Richard Marsh and Victorian Popular Fiction
CHRISTOPHER PITTARD      99

BOOK REVIEWS
Anne Humpherys and Louis James, eds. G. W. M. Reynolds: Nineteenth-Century Fiction, Politics, and the Press. STEPHEN KNIGHT      105

Kate Summerscale. The Suspicions of Mr. Whicher or The Murder at Road Hill House. JANICE M. ALLAN      107

Mary Elizabeth Braddon and Laurence Talairach-Vielmas, ed. Thou Art the Man. LINDA SCHLOSSBERG      109

LeRoy Lad Panek and Mary M. Bendel-Simso, eds. Early American Detective Stories: An Anthology. LINDA SCHLOSSBERG      109

Michael G. Cornelius and Melanie E. Gregg, eds. Nancy Drew and Her Sister Sleuths and Mark Connelly. The Hardy Boys Mysteries, 1927–1979: A Cultural and Literary History. GENIE GIAIMO      110

Philippa Gates. Detecting Men: Masculinity and the Hollywood Detective Film. MANINA JONES      112

Alexander N. Howe. It Didn’t Mean Anything: A Psychoanalytic Reading of American Detective Fiction. PAMELA BEDORE      115

Mary Hadley and Sarah D. Fogle, eds. Minette Walters and the Meaning of Justice: Essays on the Crime Novels. MARTYN COLEBROOK      117

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