Henry Green

Havoc in the House of Fiction

$65.00

In stock (can be backordered)

SKU: 9781476671116 Category:

About the Book

By mid-career, many successful writers have found a groove and their readers come to expect a familiar consistency and fidelity. Not so with Henry Green (1905–1973). He prefers uncertainty over reason and fragmentation over cohesion, and rarely lets the reader settle into a nice cozy read. Evil, he suggests, can be as instructive as good. Through Green’s use of paradoxical and ambiguous language, his novels bring texture to the flatness of life, making the world seem bigger and closer. We soon stop worrying about what Hitler’s bombs have in store for the Londoners of Caught (1943) and Back (1946) and start thinking about what they have in store for each other. Praised in his lifetime as England’s top fiction author, Green is largely overlooked today. This book presents a comprehensive analysis of his work for a new generation of readers.

About the Author(s)

Peter Wolfe is a curators’ professor of English at the University of Missouri-St. Louis. The author of more than 20 books, he has also taught in Canada, New Zealand, Taiwan, Russia, Poland and Australia.

Bibliographic Details

Peter Wolfe
Format: softcover (7 x 10)
Pages: 258
Bibliographic Info: notes, bibliography, index
Copyright Date: 2018
pISBN: 978-1-4766-7111-6
eISBN: 978-1-4766-3105-9
Imprint: McFarland

Table of Contents

Table of Contents


Acknowledgments vi

Abbreviations viii

Preface 1

One. Learning How to Listen, What to Listen For 5

Two. Nowhere to Hide in the Combat Zone 16

Three. Co-Existing with the Rigmarole 22

Four. Straight to Sorcery Blindness 34

Living 49

Party Going 69

Five. The Home Fires

Caught 89

Loving 116

Back 139

Six. Perplexed Establishments

Concluding 170

Nothing 196

Doting 213

Conclusion: Waiting for the Shoe to Drop 231

Chapter Notes 241

Bibliography 243

Index 247

Book Reviews & Awards

“Henry Green (1905–73) is a writer’s writer. He has endured severe reverses of popularity and familiarity, more than once going from high visibility, thanks to praise by significant critics, to almost complete eclipse. This study, built on close readings of Green’s major novels, analyzes why Green is so easily overlooked and offers multiple reasons for Green’s rightful place alongside Joyce, Woolf, and Eliot…. One leaves this study with a thorough knowledge of Green’s oeuvre and full insight into his mastery of high modernism, including stream-of-consciousness, distorted time signatures, and fractured perceptions…recommended”—Choice