James Bernard, Composer to Count Dracula
A Critical Biography
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About the Book
Composers give a unique and powerful voice to stories on the big screen. Those who work principally with one genre may leave a unique imprint. James Bernard was one such composer. From 1952 to the late 1990s, he was one of horror’s definitive and distinctive voices, scoring many of Hammer’s best-known films, including Dracula.
This is a critical biography of James Bernard. It is also a thorough and meticulous examination of his music, including its intricate mechanisms and the many sources of Bernard’s inspiration. Movie scores examined include The Quatermass Experiment, Quatermass 2, X—The Unknown, The Curse of Frankenstein, Dracula, The Hound of the Baskervilles, The Kiss of the Vampire, She, and many others. A foreword by Ingrid Pitt, a glossary, a filmography, notes, bibliography and index complete the work.
About the Author(s)
Bibliographic Details
David Huckvale
Format: softcover (7 x 10)
Pages: 311
Bibliographic Info: 41 photos, 296 musical notations and lyrics, glossary, filmography, notes, bibliography, index
Copyright Date: 2012 [2006]
pISBN: 978-0-7864-6613-9
Imprint: McFarland
Table of Contents
Acknowledgments v
Foreword by Ingrid Pitt xi
Preface 1
1. The Long Shadow of Castle Bernard 7
2. “Virtutis Fortuna Comes” 15
3. Amanuensis in Aldeburgh 30
4. Trilogy of Terror 45
5. Things Rank and Gross 66
6. Hounded 94
7. Serial Killers 107
8. Virtue and Danger 116
9. Femmes Fatales 138
10. Back from the Dead 158
11. Black and White Music 174
12. Assorted Aristocrats 193
13. Kapellmeister to Count Dracula 210
14. Sunset in the East 227
15. Danger in Paradise 240
16. Resurrection 252
In Memoriam: A Personal Postscript by the Author 271
Glossary of Musical Terms 273
James Bernard Filmography 277
Notes 279
Select Bibliography 287
Index 289
Book Reviews & Awards
“valuable…thoroughly researched”—Little Shoppe of Horrors; “McFarland scores another winner with this tribute to the man who created so many memorable scores for the Hammer classics…well-deserved…A ‘must’”—Cinema Retro; “outstanding…fascinating…thorough…detailed”—Journal of British Cinema and Television; “one of the best in recent years…critical”—Mania.com; “this is clearly the book of the year for students of film scoring”—Video Watchdog.