The Greek Film Musical
A Critical and Cultural History
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About the Book
The Greek film musical was the most popular film genre in Greece in the 1960s. The songs became instant hits, the dances were performed at parties, and the fashions were imitated by people of all ages. Challenging assumptions that the Greek film musical was a culturally lacking imitation of Hollywood, this work examines the genre as a cinematic and historical phenomenon that condensed key social and cultural concerns of its time, and contributed to the development of a national popular culture in the light of the rapid Americanization of postwar Greece. During two decades characterized by affluence and upward mobility in Greek society, the musical expressed and reinforced the optimism of the times while capturing the tensions and contradictions that emerged as a result of rapid social changes.
Beginning with an introduction to modern Greece and cultural identity, the book locates the genre in its historical context and argues that it consists of different layers of cultural appropriation and transformation that redefine traditionally fixed notions of identity. Old Greek cinema is examined, the Greek musical is defined, and a number of key films are analyzed with particular emphasis on the style and structure of the musical numbers. The work concludes with a filmography of Greek musicals; lists of the annual outputs of the production companies Finos Films, Karagiannis-Karatzopoulos, Klak Films, and Damaskinos Michailidis; a glossary; and bibliographies in English, Greek, and French.
About the Author(s)
Bibliographic Details
Lydia Papadimitriou
Format: softcover (7 x 10)
Pages: 200
Bibliographic Info: photos, filmography, appendices, notes, bibliography, index
Copyright Date: 2006
pISBN: 978-0-7864-2140-4
eISBN: 978-1-4766-1018-4
Imprint: McFarland
Table of Contents
Acknowledgments v
Introduction 1
Part I. Contexts
1. Old Greek Cinema: Industry, Genre and Criticism 13
2. What Is the Greek Musical? 28
Part II. Texts
3. The First Greek Musicals: Authorship, Genre and Industry 45
4. Early Dalianidis Musicals: Spectacle, Comedy and Modernity 62
5. The “National Musical”: Bouzouki Music, Class and Identity 85
6. Traveling on Screen: Tourism, Folklore and Nationalism 108
7. Aliki Vougiouklaki and Rena Vlachopoulou: Stardom, Genre and Gender 123
Conclusion 141
Appendix A. Filmography of Greek Musicals: Credits and Plot Summaries 145
Appendix B. Inclusive List of Greek Musicals 165
Appendix C. Annual Output of Finos Films, Karagiannis-Karatzopoulos, Klak Films, and Damaskinos-Michailidis (1948–1983) 168
Appendix D. Glossary 170
Chapter Notes 171
Bibliography
English 184
Greek 186
French 188
Index 189