This work is the first of its kind to single out individual short fiction films for comprehensive presentation and close study. Two Men and a Wardrobe (Roman Polanski, Poland, 1958, 15 min.), Coffee and Cigarettes (Jim Jarmusch, USA, 1986, 6 min.), Sunday (John Lawlor, Ireland, 1988, 8 min.), Cat’s Cradle (Liz Hughes, Australia, 1991, 12 min.), Eating Out (Pal Sletaune, Norway, 1993, 7 min.), Come (Marianne Olsen Ulrichsen, Norway, 1995, 4.5 min.), Wind (Marcell Ivanyi, Hungary, 1996, 6 min.), Possum (Brad McGann, New Zealand, 1997, 14 min.), and The War Is Over (Nina Mimica, Italy, 1997, 7 min.) are the nine short fiction films studied.
The films represent a broad range of storytelling approaches and a number of very different film cultures. Each film has a chapter of its own, including a shot-by-shot reproduction of the film with a still from every shot. In most cases, an interview with the director and an original screenplay and storyboard is also included. The book also describes a new conceptual model, derived from the films studied in the work, which can be used both for analyzing the ways in which a short fiction film tells its story and as a set of guidelines for student filmmakers writing their own screenplays.
Instructors considering this book for use in a course may request an examination copy here.

Richard Raskin teaches courses in screenwriting and video production at the University of Aarhus in Denmark.

Richard Raskin
Format: softcover (8.5 x 11)
Pages: 196
Bibliographic Info: 960 photos, notes, appendices, bibliography, indexes
Copyright Date: 2002
pISBN: 978-0-7864-1183-2
eISBN: 978-1-4766-1612-4
Imprint: McFarland

Table of Contents

Acknowledgments     vii

Preface     xi

Introduction     1

1. Two Men and a Wardrobe / Dwaj ludzie z szafa    5

2. Coffee and Cigarettes    36

3. Sunday    51

4. Cat’s Cradle    65

5. Eating Out    82

6. Come / Kom    96

7. Wind / Szél    108

8. Possum    119

9. The War Is Over / La guerra èfinita    150

10. A Conceptual Model: Seven Parameters for Story     165

Conclusion     173

Appendices     175

Bibliography     179

Index     183

“finally a book devoted exclusively to short film”—Das Kurzfilmmagazin; “What a pleasure to see an unjustly ignored form of cinema treated with such care and creative imagination! Blending careful analysis, historical background, and a rich array of archive materials, Richard Raskin reveals in unprecedented detail how short films tell their stories. Raskin’s study should become the definitive work on the subject.”—David Bordwell, Jacques Ledoux Professor of Film Studies, University of Wisconsin–Madison.