Stop-Motion Filming and Performance
A Guide to Cameras, Lighting and Dramatic Techniques
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About the Book
Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician’s realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement.
This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art, an oft-overlooked aspect of stop-motion animation. Included is a commentary on body language, facial expression, gesture, movement and emotion—key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms.
About the Author(s)
Format: softcover (8.5 x 11)
Bibliographic Info: 210 photos, glossary, bibliography, index
Copyright Date: 2006
Table of Contents
1. “The Play’s the Thing” 3
2. Motion-Picture and Digital Video Cameras 11
3. Light and Lighting Basics 19
4. Fundamentals of Animation Acting 33
5. Walk and Run Cycles 53
6. Creating Replacement Figures 69
7. Reading the Dialogue Track and Creating the Exposure Sheet 81
Concluding Remarks 89
“interesting…worthy of your attention…a complete guide”—John Kenneth Muir, Reflections on Film/TV.