Piracy in the Motion Picture Industry

Film piracy began almost immediately after the birth of the film industry. Initially it was a within-the-industry phenomenon as studios stole from each other. As the industry grew and more money was involved, outsiders became more interested in piracy. Stolen material made its way offshore since detection was less likely. Hollywood’s major film studios vigorously pursued pirates and had the situation fairly well under control by the middle 1970s—not eliminated but reduced to a low level—until videocassettes arrived.
This work begins with a discussion of some of the earliest cases of piracy in vaudeville. It then considers how the problem continued to grow exacerbated by the lack of legal resource available to performers, and the ways film exhibitors cheated the film distributors and companies and the measures that the distributors and companies took to prevent piracy over the years.
Also examined are the practices of American theater owners who tried to cheat Hollywood, especially through the practice known as bicycling—extra, unpaid for screenings of a legitimately held film—and altering paperwork to reduce the money owed to distributors on films screened on percentage contracts. Also examined, to a lesser degree, are Hollywood’s own efforts to cheat, including the disregard of copyrights held by others.

Cultural historian Kerry Segrave is the author of dozens of books on such diverse topics as drive-in theaters, lie detectors, jukeboxes, smoking, shoplifting and ticket-scalping. He lives in British Columbia.

Kerry Segrave
Format: softcover (6 x 9)
Pages: 228
Bibliographic Info: notes, bibliography, index
Copyright Date: 2003
pISBN: 978-0-7864-1473-4
eISBN: 978-0-7864-8160-6
Imprint: McFarland

Preface      1

1 Vaudeville and the Copy Act      3

2 The Silent Era (to 1929)      25

3 Jackrabbits and Star Stealing (1930–1945)      55

4 Larceny in the Box Office, Butchery in TV’s Grindhouse (1945–1974)     70

5 Domestic Piracy (1975–2001)      103

6 Foreign Piracy (1975–2001)      145

7 Conclusion      177

Notes      181

Bibliography      199

Index      215

“comprehensively researched…full of out-of-the ordinary facts…a well of information”—Film & History; “this is important reading”—Communication Booknotes Quarterly.