Memory in World Cinema

Critical Essays

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About the Book

In films, memory may be expressed as narrative hindsight or in flashback. Film itself is an artifact of memory, whether documentary or screenplay. And much of human memory is organized and preserved as film portrayals—and Hollywood, purveyor of 80 percent of the cinema production worldwide, is not the only voice to represent it. Drawing on papers from a series of film conferences at University of Texas at San Antonio, this collection of essays covers multiple geographical, linguistic and cultural areas, emphasizing the historical and cultural interpretation of films not usually covered in film studies. Appendices invite further viewing of global films on memory.

About the Author(s)

Nancy J. Membrez is an associate professor of Spanish literature, culture, and Spanish/Latin American film as well as teaching film production at the University of Texas at San Antonio. She wrote the English subtitles for four Subiela films and produced three featurettes for the Kino Lorber DVD/Blu-ray of Man Facing Southeast. Her first feature film, Portrait in Sepia Tone, won Best Picture and Best Sound Track at the International Filmmakers’ Film Festival in Kent, England in 2008.

Bibliographic Details

Edited by Nancy J. Membrez

Format: softcover (7 x 10)
Pages:
Bibliographic Info: ca. 50 photos, appendices, notes, bibliography, index
Copyright Date: 2019
pISBN: 978-1-4766-7608-1
eISBN: 978-1-4766-3644-3
Imprint: McFarland