Martin Sherman
Skipping Over Quicksand
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About the Book
Playwright and screenwriter Martin Sherman dramatizes outsiders—gay, female, foreign, disabled, different in religion, class or color—skipping over quicksand as they strive to survive. This book analyzes and evaluates Sherman’s work, while correcting previously published errors and establishing the flavor of the critical debate. Devoting more attention to such internationally acclaimed works as Bent and Mrs. Henderson Presents, it also considers less well known and even unpublished and unproduced scripts as well as his working relationships with the luminaries of stage and screen who have appeared in, directed, and produced his plays and screenplays.
About the Author(s)
Bibliographic Details
Tish Dace
Format: softcover (6 x 9)
Pages: 345
Bibliographic Info: 14 photos, appendices, bibliography, index
Copyright Date: 2012
pISBN: 978-0-7864-6662-7
eISBN: 978-0-7864-8813-1
Imprint: McFarland
Table of Contents
Acknowledgments ix
Preface 1
Prologue: First Performance of Bent 2
1. Crucibles and Satires (1938-1960) 3
2. Songs (1960-1962) 11
3. Fat Tuesday (1963-1966) 16
4. Crises (1966-1972) 22
5. California Dreamin’ (1973-1977) 33
6. Pink Triangles (1977-1979) 45
7. Bent on Broadway (1979-1980) 67
8. Rachel (1978-1984) 83
9. Isadora (1983-1988) 95
10. Vanessa Times Two (1986-1991) 104
11. Ian Again (1989-1991) 126
12. A Future in Film (1990-1993) 137
13. Magic (1994-1997) 146
14. Celluloid (1994-1997) 160
15. Dreams Fulfilled (1994-1997) 173
16. Judaica (1998-2000) 187
17. Italy (1999-2003) 199
18. India (2000-2002) 212
19. Oz (2001-2003) 221
20. Laura (2003-2005) 234
21. More Controversy (2005-2011) 247
Appendices
A: Bent on Stage 267
B: Messiah on Stage 270
C: When She Danced on Stage 273
D: A Madhouse in Goa on Stage 275
E: Rose on Stage 277
F: Films on Screen 281
G: Mrs. Henderson Presents on Screen 287
Selected Bibliography 295
Index 323
Book Reviews & Awards
“An insightful and comprehensive account of Sherman’s career that offers detailed analysis of his practice and its criticism, interwoven with dozens of personal interviews with Sherman’s collaborators, as well as the playwright himself…invaluable for scholars and students of Sherman’s work”—Journal of Adaptation in Film and Performance.