In recent years, computer technology has permeated all aspects of life—not just work and education, but also leisure time. Increasingly, digital games are the way we play.
This volume addresses the world of digital games, with special emphasis on the role and input of the gamer. In fifteen essays, the contributors discuss the various ways the game player interacts with the game. The first half of the book considers the physical and mental aspects of digital game play. The second section concentrates on other factors that influence play. Essays cover the full range of digital gaming, including computer and video games. Topics include several detailed investigations of particular, often controversial games such as Grand Theft Auto: Vice City, as well as a consideration of the ways in which game-playing crosses socioeconomic, age, gender and racial lines. The concluding essays discuss scholars’ perceptions of digital media and efforts to frame them.
Instructors considering this book for use in a course may request an examination copy here.

Nate Garrelts is a professor of English at Ferris State University in Big Rapids, Michigan.

Edited by Nate Garrelts
Format: softcover (6 x 9)
Pages: 268
Bibliographic Info: photos, notes, bibliography, index
Copyright Date: 2005
pISBN: 978-0-7864-2292-0
eISBN: 978-0-7864-8347-1
Imprint: McFarland

Introduction: Negotiating the Digital Game/Gamer Intersection      1

1. Corporealis Ergo Sum: Affective Response in Digital Games      21

2. A “Majestic” Reflexivity: Machine-Gods and the Creation of the Playing Subject in Deus Ex and Deus Ex: Invisible War      36

3. Virtual Bodies, or Cyborgs Are People Too      52

4. Playing with Ourselves: A Psychoanalytic Investigation of Resident Evil and Silent Hill      69

5. Playing the Bad Guy: Grand Theft Auto in the Panopticon      80

6. Signs, Symbols, and Perceptions in Grand Theft Auto: Vice City      91

7. To the White Extreme: Conquering Athletic Space, White Manhood, and Racing Virtual Reality      110

8. Pimps, Players and Foes: Playing Diablo II “Outside the Box”      130

9. Living Art: Commercial Modding and Code-Illiterate Gamers      146

10. The Embodied Adventurer: Women as Player-Characters, Gamers, and Module-Builders in BioWare’s Neverwinter Nights      160

11. Socializing, Subversion, and the Self: Why Women Flock to Massively Multiplayer Online Games      174

12. Beyond Linear Narrative: Augusto Boal Enters Norrath      189

13. Theatres of Interactivity: Video Games in the Drama Studio      208

14. Call and Response: Storytelling in the Neverwinter Vault      221

15. From Interactivity to Playability: Why Digital Games Are Not Interactive      232

About the Contributors      249

Index      253

“essential…recommended”—Midwest Book Review.