Appraising The Graduate
The Mike Nichols Classic and Its Impact in Hollywood
$29.95
In stock
About the Book
The popular success in 1967 of The Graduate was immediate and total; at the time, only Gone with the Wind and The Sound of Music were bigger box-office winners. Yet such phenomenal success came at a price: On the film’s 40th anniversary, director Mike Nichols claimed that The Graduate had been “whipped away” by a young audience hungry for countercultural documents. This study, the first monograph on The Graduate, explores how popular and subsequent critical reception deflected a full understanding of the film’s complex point of view, which satirizes everything in its path—especially Benjamin and Elaine, its young “heroes.” The text explores how the film offers not the happy ending some imagine, but a corrosive and satirical vision of humanity.
Instructors considering this book for use in a course may request an examination copy here.
About the Author(s)
Bibliographic Details
J.W. Whitehead
Format: softcover (6 x 9)
Pages: 221
Bibliographic Info: 6 photos, notes, filmography, bibliography, index
Copyright Date: 2011
pISBN: 978-0-7864-6306-0
eISBN: 978-0-7864-8481-2
Imprint: McFarland
Table of Contents
Table of Contents
Acknowledgments ix
Preface 1
Part I. Introduction
1. “Plastics” 15
2. Post-Graduate 26
3. The Graduates 50
Part II. Seeing The Graduate
4. “The Sounds of Silence”: Of Human Baggage (00:00–03:00) 69
5. The Graduation Party (03:00–06:30) 76
6. The Locked Womb (06:30–16:30) 83
7. “Ben? You’ll Never Be Young Again.” (16:30–21:00) 94
8. The Birthday Party (21:00–24:00) 99
9. An “Affair” at the Taft Hotel (24:00–38:00) 104
10. “Drifting” (38:00–46:00) 113
11. “Conversation”-Stopper (46:00–55:00) 121
12. Elaine (55:00–1:10:30) 128
13. “Scarborough Fair”: The Berkeley Stalker (1:10:30–1:26:00) 137
14. “Mrs. Robinson”: The Loneliness of the LongDistance Runner (1:26:00–1:41:00) 145
15. More “Sounds of Silence”: The Finishing Kick (1:41:00–1:46:00) 154
Part III. Valediction
16. The Legacy of The Graduate 171
Chapter Notes 195
Filmography 201
Bibliography 203
Index 207