The Old Italian School of Singing
A Theoretical and Practical Guide
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About the Book
This work describes in accessible language the technical foundations of the Old Italian School of Singing. It enables the reader to grasp the teachings of the old masters theoretically and practically. The research for this book used not only the old treatises from the 1700’s onwards but also firsthand testimonies, biographies and recordings from historical singers. The author systematically takes us through the basic elements of historical singing with practical hints and exercises tested by extensive teaching experience.
About the Author(s)
Bibliographic Details
Daniela Bloem-Hubatka
Format: softcover (7 x 10)
Pages: 219
Bibliographic Info: musical notation and lyrics, appendices, notes, bibliography, index
Copyright Date: 2012
pISBN: 978-0-7864-6153-0
eISBN: 978-0-7864-8895-7
Imprint: McFarland
Table of Contents
Foreword by Ward Marston 1
Preface 3
Introduction 5
1. The Attack 15
2. The Breath 38
3. The Resonance 55
4. Mouth Position and Articulation 75
5. The Registers 89
6. Movement and Agility of the Voice 108
7. The Words in Singing 123
8. Interpretation 131
9. Expression 146
A Summary of Essential Directions for Historical Singing 161
Appendix 1. Jenny Lind Solfeggi 163
Appendix 2. Rossini Gorgheggi (Vocalizes) 166
Appendix 3. Cover: Airs Détachés d’Orphée et Euridice, par Gluck; Air: J’ai perdu 173
Appendix 4. The Singer’s Assistant “On the Formation of the Voice”; “General Directions to Singers” 175
Notes 179
Bibliography 195
Index 209