Remaking the Middle Ages
The Methods of Cinema and History in Portraying the Medieval World
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About the Book
Proposing a fresh theoretical approach to the study of cinematic portrayals of the Middle Ages, this book uses both semiotics and historiography to demonstrate how contemporary filmmakers have attempted to recreate the past in a way that, while largely imagined, is also logical, meaningful, and as truthful as possible. Carrying out this critical approach, the author analyzes a wide range of films depicting the Middle Ages, arguing that most of these films either reflect the past through a series of visual signs (a concept he has called “iconic recreation”) or by comparing the past to a modern equivalent (called “paradigmatic representation”).
About the Author(s)
Bibliographic Details
Andrew B.R. Elliott
Format: softcover (6 x 9)
Pages: 286
Bibliographic Info: glossary, notes, bibliography, filmography, index
Copyright Date: 2011
pISBN: 978-0-7864-4624-7
eISBN: 978-0-7864-6176-9
Imprint: McFarland
Table of Contents
Acknowledgments ix
Preface 1
PART I : PROBLEMS
1. History, Historiography and Film 9
2. “One Big Medieval Mess”: Accessing the Middle Ages 35
PART II : PEOPLE
3. When Knights Were Bold: Those Who Fight 53
4. The Power and the Glory: Those Who Rule 83
5. Clergy and Saints: Those Who Pray 113
6. …Everybody Not Sitting on a Cushion: Those Who Work 146
PART III : WORLDS
7. Constructing Medieval Worlds: Conventions, Inventions and Images 177
8. Guides to the Medieval Worlds 192
9. Authenticity and Accuracy in Medieval Worlds 206
Glossary 223
Notes 229
Bibliography 257
Filmography 269
Index 273
Book Reviews & Awards
- “Beginning with problems of history and historiography and film, through authenticity and accuracy in medieval worlds, analyze[s] movies depicting the Middle Ages”—Communication Booknotes Quarterly
- “Frequent reference to movies and literature”—Reference & Research Book News