Madonna as Postmodern Myth
How One Star’s Self-Construction Rewrites Sex, Gender, Hollywood and the American Dream
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About the Book
Madonna has long been accepted as a pop culture icon, but this text postulates a greater cultural importance by analyzing her as a postmodern myth. This work examines how Madonna methodically discovered and constructed herself (often rewriting her past), the nature and extent of her ambition and the means she used to reach her goals. It also details the way in which she organized her own cult (borrowing from the gay community), devised her artistic output, and cunningly targeted different audiences. It also studies the fundamental contradiction—virgin or vamp? saint or prostitute?—that fuels Madonna’s career and describes how Madonna reflects today’s society, its contradictions and its attitudes toward sexuality and religion.
About the Author(s)
Bibliographic Details
Georges-Claude Guilbert
Format: softcover (6 x 9)
Pages: 264
Bibliographic Info: notes, bibliography, index
Copyright Date: 2002
pISBN: 978-0-7864-1408-6
eISBN: 978-0-7864-8071-5
Imprint: McFarland
Table of Contents
Acknowledgments v
Preface 1
PART 1: Definitions 5
Myth 5
Postmodern: The Story So Far 13
PART 2: Desperately Seeking Stardom 26
Personal and Methodic Construction 27
Ambitious Grammar 38
An Organized Cult: The Wizard and Gays 61
Recuperation 76
PART 3: The Fundamental Contradiction 91
The Virgin and the Vamp 92
The Mother and the Whore 98
PART 4: Drag 111
The Expression Under the Mask 112
Voguing Along 123
Hollywood Palimpsests: Greta, Rita, Dita, and Others 131
PART 5: America’s Mirror 148
The American Dream 149
Sex and Puritanism 157
A Feminist Credo? 175
Madonna, Backer of the Patriarchy? 176
Conclusion 186
Notes 191
Madonna’s Works: References 215
Bibliography 219
Index 249
Book Reviews & Awards
“Witty…most interesting…recommended”—Choice