This study examines the life and work of acclaimed film director Martin Scorsese, showing that his films reflect his experiences growing up in a Sicilian-American-Catholic family in the tough neighborhood of New York’s Little Italy. The study links the personal Scorsese, his roots, and his ethical and religious attitudes.
The work examines many films from Boxcar Bertha (1972) to Bringing out the Dead (1999), with special attention given to Gangs of New York (2002) as a vehicle for Scorsese’s return to his roots. The Last Temptation of Christ (1988) is analyzed as a template for the Scorsese opus.
The study begins with a biography of Scorsese, and then describes his films from 1963 to 2002, providing plot summaries, themes, and characters. The body of the work analyzes films in terms of male sexuality, narcissism, violence, and the place of women in the director’s personal and cinematic world. In addition to showing how the themes of Scorsese’s films derive from his roots, the study offers psychological analyses of his focal characters. It provides a psychological basis for understanding the dialogue and actions of the characters in the context of their respective film stories. The study shows that Scorsese’s films express the values that define his worldview, which include his attitudes about masculinity, aggression, and violence.

Maria T. Miliora is a professor of chemistry at Suffolk University in Boston and maintains a private practice in psychoanalysis. She has published books on psychology, film, and literature, as well as clinical articles.

Maria T. Miliora
Format: softcover (7 x 10)
Pages: 222
Bibliographic Info: photos, filmography, notes, bibliography, index
Copyright Date: 2004
pISBN: 978-0-7864-1763-6
eISBN: 978-0-7864-8393-8
Imprint: McFarland

Acknowledgments      vii
Preface      1
Introduction      5

1. Roots and Career      11
2.Gangs of New York as a Return to Roots      21
3. Plot Summaries, Characters, and Themes      33
4. Narcissism and Male Sexuality      69
5. Rageful Warriors and Batterers      75
6. Demigods      97
7. Boys in Men’s Clothing      121
8. Self-Image, Rage, and Violence      139
9 The Good Guys      149
10. Women and Relationships      159
11. The Last Temptation of Christ as Template      177
12. Conclusion      189

Filmography      193
Notes      197
Bibliography      203
Index      207

“a revealing expose on the legendary director…a pleasurable time spent exploring Scorsese’s dark side. Through a trained analyst’s eye, we feel as if we’ve been sitting next to Scorsese on the psychiatrist’s couch all these years”—Scorsesefilms.com.