Murder, in Fact
Disillusionment and Death in the American True Crime Novel
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About the Book
With the 1965 publication of In Cold Blood, Truman Capote declared he broke new literary ground. But Capote’s “nonfiction novel” belongs to a long Naturalist tradition originating in the work of 19th-century French novelist Emile Zola. Now, Naturalism offers a particular response to the increasing problem of violence in American life and its sociological implications.
This book traces the origins of the fact-based homicide novel that emerged in the mainstream of 20th-century American literature with works such as Frank Norris’s McTeague and Theodore Dreiser’s An American Tragedy. At their heart is a young man isolated from every possible community who acts out in desperate circumstances against someone who reflects his isolation. A tension develops between how society views this killer and the way he is viewed by the novelist, who shows the protagonist as both victimizer and victim. The crimes central to these narratives epitomize the vast gap between those who can aspire to the so-called “American dream” and those with no realistic chance of achieving it.
About the Author(s)
Lana A. Whited is a professor of English and director of the Boone Honors Program at Ferrum College, Ferrum, Virginia. She has edited two volumes of essays on the Harry Potter series and one on the Hunger Games trilogy.
Lana A. Whited
Format: softcover (6 x 9)
Bibliographic Info: bibliography, index
Copyright Date: 2020